Since 2005, No Crowds has been brilliantly supported by the world's most patient Editor. He fixes my spelling, puts up with my inability to keep to a schedule and is good natured about being dragged to 1001 events that might someday produce a post. After we attended the opening of the Ai Weiwei exhibition at the Royal Academy in London, he strongly suggested I write something about it. My reply: well if you feel so strongly about it, you write it. And so, he did
When the
NoCrowds blogster wants you to accompany her to a cultural event, the editor
refuses at his peril. Last week we went
to the opening of the Ai Weiwei show at the Royal Academy of Arts. Having braved rush hour traffic and monsoon
like rain, I was less than chuffed upon arrival in Piccadilly.
All I had
heard about Weiwei was that he was a big deal in artistic dissent. I thought this is going to be the Chinese “big
art” version of Anish Kapoor. Was I
wrong!! Weiwei, through his montages,
takes you on a virtual visit of his country, from the end of the Qing dynasty
to the present. One of his creations is
an inverted map of China with a three-legged stool representing Taiwan—powerfully
demonstrating the disparity in size between the PRC and its “lost” province. Another represents the destruction of Chinese
cultural heritage to make way for megacities.
He also indicts his government for failing to control corruption, which
contributes to a variety of disasters.
In eleven
rooms, Weiwei uses different art media to explore the country’s past and
present. Do not be fooled, he is an
ardent nationalist who wants China to face up to its glorious past, problematic
present and its potential going forward.
His often petty treatment by the Chinese authorities tells us more about
their insecurity and unspoken concern that China could be broken up as was the
Soviet Union
Until Weiwei,
my view of contemporary art was the Impressionists. They made a big splash disrupting the cosy
old boy hold on the Salon in Paris. Weiwei
goes far beyond them impressing us with his use of materials and his commitment
to a better China.